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    <title>Nick&apos;s Notes</title>
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    <id>tag:hosting.stormfrontproductions.net,2008-10-09:/~lafayett/nicks_notes//1</id>
    <updated>2009-12-09T14:54:35Z</updated>
    <subtitle>Casual monthly installments of the LSO&apos;s activities straight from the Maestro</subtitle>
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<entry>
    <title>OPERA FOR SYMPHONIES?</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2009/12/opera-for-symphonies.html" />
    <id>tag:hosting.stormfrontproductions.net,2009:/~lafayett/nicks_notes//1.11</id>

    <published>2009-12-09T14:51:51Z</published>
    <updated>2009-12-09T14:54:35Z</updated>

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    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="chorus" label="chorus" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="laboheme" label="La Boheme" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="madamebutterfly" label="Madame Butterfly" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="music" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="opera" label="opera" scheme="http://www.sixapart.com/ns/types#tag" />
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<p class="MsoNormal">Recently a number of orchestras have delved into opera.<span style="">&nbsp; </span>True a number of mid-size cities have
orchestras that already play opera.<span style="">&nbsp; </span>Take
<st1:city w:st="on">Nashville</st1:city> and <st1:city w:st="on"><st1:place w:st="on">Louisville</st1:place></st1:city>, for example, in our region.<span style="">&nbsp; </span>But these orchestras play opera as the
"hired" orchestra for an established opera company.<span style="">&nbsp; </span>In this case, the Nashville Opera and
Kentucky Opera, respectively.<span style="">&nbsp; </span>But what
about orchestras that perform opera on their own...</p>

<p class="MsoNormal"><o:p>&nbsp;</o:p></p>

<p class="MsoNormal">Some examples include the recent Opening Night performance
of La Boheme in a semi-staged version with the Atlanta Symphony.<span style="">&nbsp; </span>The idea of a semi-staged version of opera is
quite intriguing.<span style="">&nbsp; </span>Many orchestras have
taken this route.<span style="">&nbsp; </span>In <st1:city w:st="on">Lafayette</st1:city>
last season we performed the opera Cavalleria Rusticana with the excellent Bach
Chorale Singers and soloists from <st1:place w:st="on"><st1:placename w:st="on">Indiana</st1:placename>
 <st1:placetype w:st="on">University</st1:placetype></st1:place>.<span style="">&nbsp; </span>We performed with minimal staging and no
props.<span style="">&nbsp; </span></p>

<p class="MsoNormal"><o:p>&nbsp;</o:p></p>

<p class="MsoNormal">In November, I performed the opera Madame Butterfly with the
Owensboro Symphony and Kentucky Opera to great effect.<span style="">&nbsp; </span>Like the performance in <st1:city w:st="on"><st1:place w:st="on">Lafayette</st1:place></st1:city>, the orchestra was onstage, but we
also had props, makeup and costumes:<span style="">&nbsp;
</span>pretty much everything except the actual sets.<span style="">&nbsp; </span>People in the audience liked the set up very
much.<span style="">&nbsp; </span>They felt that the orchestra was
an equal partner in the production, rather than being relegated to the "pit" as
they normally are in opera.<span style="">&nbsp; </span>This is
something I'd like to try in <st1:city w:st="on"><st1:place w:st="on">Lafayette</st1:place></st1:city>,
as we have a sophisticated and educated audience as well as Metropolitan Opera
simulcasts...</p>

<p class="MsoNormal"><o:p>&nbsp;</o:p></p>

<p class="MsoNormal">My opinion is that this type of production/collaboration is
the wave of the future for orchestras and choruses eager to do opera.<span style="">&nbsp; </span>Without the sets opera in much more
affordable, plus, as I witnessed in <st1:city w:st="on"><st1:place w:st="on">Owensboro-</st1:place></st1:city>
people like to see their hometown orchestra, too!</p>

<p class="MsoNormal"><o:p>&nbsp;</o:p></p>

<p class="MsoNormal" style="">NICK</p>

 ]]>
        
    </content>
</entry>

<entry>
    <title>Community Collaborations</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2009/09/community-collaborations.html" />
    <id>tag:hosting.stormfrontproductions.net,2009:/~lafayett/nicks_notes//1.10</id>

    <published>2009-09-15T13:05:22Z</published>
    <updated>2009-09-15T13:06:38Z</updated>

    <summary><![CDATA[The LSO has a mission to enhance the cultural life of the region.&nbsp; We hope to expand the ways we achieve that goal by collaborating with other area arts groups, adding to our educational offerings, and performing in other cities...]]></summary>
    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="collaboration" label="collaboration" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="concert" label="concert" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="education" label="education" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="music" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="outreach" label="outreach" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="purdue" label="purdue" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[The LSO has a mission to enhance the cultural life of the region.&nbsp; We hope to expand the ways we achieve that goal by collaborating with other area arts groups, adding to our educational offerings, and performing in other cities and towns in the area.&nbsp; Let me know if you have any ideas!&nbsp; Many orchestras perform with local choruses (like we do with the Bach Chorale Singers and Purdue Glee Club) and theater groups (we hope to work with the Civic Theater of Greater Lafayette),&nbsp; as well as ballet companies (another idea here...) and other groups.&nbsp;&nbsp; Working together not only helps to expand audiences, it also is an important public relations tool.<br /><br />In the educational arena we hope to partner more with local schools, perform more in local schools and find new ways to encourage students to attend LSO performances and rehearsals.&nbsp; We also want to know what local music educators would like to see the LSO do to help them.&nbsp; This is a work in progress...<br /><br />Our most recent outreach event was to add a concert at the Amphitheater.&nbsp; We hope to expand this to a series in the summer.&nbsp; We also want to perform in other area locations.&nbsp; We have performed a Cushion Concert in Frankfort and hope to do this again. Crawfordsville and Resselear are also possibilities for future concerts.<br /><br />Lastly, our 60th Season in coming up and we want to have some special events and concerts to help celebrate this milestone.&nbsp; Please pass on your ideas to me, or one of our staff members.<br /><br />See you at the Long Center!<br /><br />Maestro Nick<br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>PALS Camp - Strings Attached</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2009/07/pals-camp---strings-attached.html" />
    <id>tag:hosting.stormfrontproductions.net,2009:/~lafayett/nicks_notes//1.9</id>

    <published>2009-07-07T15:34:20Z</published>
    <updated>2009-07-07T15:37:21Z</updated>

    <summary>Click on this link to see pictures from our Kazoo Marching Band and other fun activities!PALS Camp Report 7-1-09.pdf...</summary>
    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="kids" label="kids" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="music" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="purdue" label="purdue" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="violin" label="violin" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/">
        <![CDATA[Click on this link to see pictures from our Kazoo Marching Band and other fun activities!<br /><br /><span class="mt-enclosure mt-enclosure-file" style="display: inline;"><a href="http://hosting.stormfrontproductions.net/%7Elafayett/nicks_notes/2009/07/07/PALS%20Camp%20Report%207-1-09.pdf">PALS Camp Report 7-1-09.pdf</a></span><br />]]>
        
    </content>
</entry>

<entry>
    <title>The Great Escape!</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2009/05/the-great-escape.html" />
    <id>tag:hosting.stormfrontproductions.net,2009:/~lafayett/nicks_notes//1.8</id>

    <published>2009-05-04T13:57:33Z</published>
    <updated>2009-05-04T14:00:40Z</updated>

    <summary><![CDATA[Please join me and the LSO for a great escape during our 2009-2010 Season! &nbsp;I thought I would give you a preview of what to expect...please check the main section of our site for exact dates and times. We will...]]></summary>
    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="broadway" label="broadway" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="franksinatra" label="frank sinatra" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="keller" label="Keller" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="music" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="orchestra" label="orchestra" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="piano" label="piano" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="season" label="season" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="symphony" label="symphony" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/">
        <![CDATA[<div>Please join me and the LSO for a great escape during our 2009-2010 Season! 
&nbsp;I thought I would give you a preview of what to expect...please check the main 
section of our site for exact dates and times.</div>
<div><br /></div>
<div>We will begin at the Amphitheater in September for a program of light 
classical and Pops works. &nbsp;This&nbsp;family-friendly concert was a big hit last year. 
It is only $10/carload at the gate and appropriate for any age! &nbsp;Following&nbsp;is our Long Center debut for 
the season in which we feature Rimsky-Korsakoff's Scheherezade along with the 
famous Grieg-Piano Concerto with Chu-Fang Huang, a remarkable&nbsp;young&nbsp;pianist! &nbsp;We 
always try and feature an "up and coming" star" in the first concert of the 
season and Chu-Fang promises to be a thrilling performer!</div>
<div><br /></div>
<div>November is the new date for the Keller Competition winners concert. &nbsp;This 
concert will have three outstanding young area performers in a classical concert 
with the LSO. &nbsp;The LSO will also perform Mendelssohn's Italian Symphony. 
&nbsp;December will bring the Bach Chorale Singers together with the LSO under the 
expert leadership of William Jon Gray in the complete Messiah.</div>
<div><br /></div>
<div>January showcases the talents of the Purdue Glee Club with a program of 
Broadway favorites. &nbsp;The LSO will perform medleys from some of Broadways 
greatest hits, including Les Miserables, The Producers, My Fair Lady and many 
more. &nbsp;In March we have two inspiring soloists: &nbsp;Alfred Abel, LSO Concertmaster, 
and Polina Umansky, LSO Principal Cellist, in the Brahms-Double Concerto. 
&nbsp;</div>
<div><br /></div>
<div>April features the talents of the LSO musicians in virtuoso orchestral 
showpieces, including Till Eulenspiegel and Carmina Burana. In May we bring 
vocalist Steve Lippia to town. &nbsp;Steve is a superbly talented singer who does 
Frank Sinatra like Old Blue Eyes himself, but with his own style and 
flair.</div>
<div><br /></div>
<div>Join us for an exciting season! &nbsp;Maestro Nick Palmer</div> ]]>
        
    </content>
</entry>

<entry>
    <title>AMERICAN ORCHESTRAL MUSIC </title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2009/03/american-orchestral-music.html" />
    <id>tag:hosting.stormfrontproductions.net,2009:/~lafayett/nicks_notes//1.7</id>

    <published>2009-03-02T17:15:02Z</published>
    <updated>2009-03-02T17:16:39Z</updated>

    <summary><![CDATA[Although we in the orchestra field mostly perform music of deceased European composers, we often also include music of American composers, both living and no longer with us.&nbsp; This is the case for the LSO March 28th Concert.&nbsp; Music of...]]></summary>
    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="symphony" label="symphony" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/">
        <![CDATA[Although we in the orchestra field mostly perform music of deceased European composers, we often also include music of American composers, both living and no longer with us.&nbsp; This is the case for the LSO March 28th Concert.&nbsp; Music of William Schuman and Peggy Stuart Coolidge may be unfamiliar to listeners.&nbsp; Both were active in the 20th Century and wrote music based on historical events.&nbsp; Schuman's New England Tryptich chronicles, in music, the Revolutionary War period, using themes of the great American composer William Billings.&nbsp; Billings was a choir director in Boston and his music helped to urge citizens on to freedom from oppression.&nbsp; It has a rugged character but is boldly expressive. Peggy Stuat Coolidge was one of the few American women writing orchestral music in the mid-20th Century who actually had her music performed and recorded.&nbsp; Pioneer Dances tells the story of the &nbsp;<br />early pioneers who trekked across the USA and landed in the Midwest.&nbsp; &nbsp;<br />Her music reminds us of Copland and Gershwin and is tuneful and rhythmic.&nbsp; Our feature work in this concert is the Indiana premiere of Quiet Heroes by Chris Brubeck.&nbsp; Brubeck, both a jazz trombonist and composer, is the son of the legendary Dave Brubeck.&nbsp; His broad canvas, Quiet Heroes, chronicles the raising of the flag at Iwo Jima and features the great American actor Wilfred Brimley.&nbsp; It will be an exciting and inspiring evening!<br /><br />Maestro Nick ]]>
        
    </content>
</entry>

<entry>
    <title>Our first Strings Attached Program!</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2008/12/our-first-strings-attached-program.html" />
    <id>tag:hosting.stormfrontproductions.net,2008:/~lafayett/nicks_notes//1.6</id>

    <published>2008-12-16T21:30:20Z</published>
    <updated>2008-12-16T21:52:27Z</updated>

    <summary><![CDATA[We have begun sending Jo Gelfand and Amanda Baer, two LSO string players, out to Lafayette/West Lafayette area classrooms to start our new program called Strings Attached.&nbsp; Here is an email from Jo describing their first experience:I just thought you'd...]]></summary>
    <author>
        <name>Melissa</name>
        
    </author>
    
    <category term="lessons" label="lessons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="violin" label="violin" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/">
        <![CDATA[We have begun sending Jo Gelfand and Amanda Baer, two LSO string players, out to Lafayette/West Lafayette area classrooms to start our new program called Strings Attached.&nbsp; Here is an email from Jo describing their first experience:<br /><br /><p class="MsoNormal"><span style="font-size: 11pt; color: rgb(31, 73, 125); font-family: 'Calibri','sans-serif';">I 
just thought you'd like an update on our very first Strings Attached program. 
Amanda Baer and I went to Oakland School this afternoon, and worked with Mrs. 
Wells' 3<sup>rd</sup> grade class (22 students - more or less. They kept moving 
and were hard to count!)<o:p></o:p></span></p>



<p class="MsoNormal"><span style="font-size: 11pt; color: rgb(31, 73, 125); font-family: 'Calibri','sans-serif';">When 
we first went in, the students were all sitting quietly at their desks, with 
their hands folded. Needless to say, the peace didn't last long! We started out 
by asking the students if they knew why we were there. They did - obviously, 
Mrs. Wells had prepped them well for our visit! They were extremely excited, yet 
well behaved. We talked for 15-20 minutes, and started by asking them questions 
about what they thought it was like to play in an orchestra, what was their 
favorite instrument, did they play an instrument, etc., etc. We then talked 
about our own personal experiences (playing in an orchestra, playing in a pit 
orchestra, and meeting celebrities - and I brought out the picture of myself 
with Chewbacca from the John Williams concert. The kids LOVED it!) One of the 
girls had brought a picture of her grandmother, who had sung with a band back in 
the 50s - I'm guessing from the clothes and the car that it was the 50s - and we 
talked about having music in your life for a long time. I asked the students how 
old their mothers were (the first answer was 41) - and I told them I'd been 
playing with the LSO almost as long as their parents had been alive, and they 
asked me when I started playing viola (answer: 4<sup>th</sup> grade)! Then 
Amanda told them that her violin was three times as old as their parents (and we 
did the math to figure out how old her violin was). We kept the conversation 
going by asking questions, calling on the students for answers, and then sharing 
our own experiences. Keep in mind, this whole time they haven't seen the violins 
yet - Amanda and I had lined them up in their cases in the hallway. I then 
showed them a YouTube video of "Nuttin But Stringz" that was taken from a 
British children's show. In addition to the Escobar brothers playing, there are 
lots of graphics and kids dancing to the music. I talked about how the younger 
brother started playing violin when he was 8, and his got his brother 
interested. They both studied at Julliard and recently took 3<sup>rd</sup> place 
on "America's Got Talent." (I think they should have won, but....) By this point, 
the kids were really getting excited. When I asked them if they'd like to try 
playing the violin, the unanimous response was a rousing 
"Yes!"<o:p></o:p></span></p><p class="MsoNormal"><span style="font-size: 11pt; color: rgb(31, 73, 125); font-family: 'Calibri','sans-serif';"><o:p></o:p>We 
had the students line up in a single file at the door, and quietly go out in the 
hall to pick up a violin, and bring them back to their desks. At this point, the 
students were almost vibrating with excitement. We opened the cases together, 
and they took the violins out, but them under their chins (most of them got it 
right the first try) and we showed them how to pluck the strings. (Note for 
future presentations: Tune the violins BEFORE taking them into the classrooms!) 
We then got them pressing their fingers down on the strings to change the pitch. 
We let them play that way for a while, and then I started hearing "Jo - when can 
we use the sticks" so Amanda and I showed them how to hold the bow and rub it 
across the strings to make "music." It was at this point that the principal came 
in and started snapping pictures. We let the kids play their hearts out, and 
circulated throughout the room, giving help, tips and pointers as needed. We 
really just turned the students loose and let them go. (The principal likened 
the sound to a hornet's nest.)<o:p></o:p></span></p>

<p class="MsoNormal"><span style="font-size: 11pt; color: rgb(31, 73, 125); font-family: 'Calibri','sans-serif';"><o:p></o:p>We 
finally wrapped things up about 10 'til 2, and had the students pack the violins 
back into the cases. Several of the students really wanted to keep the violins, 
but I told them I had to visit more classes next week, and I'd need all of them! 
Then, one little girl yelled "Jo - you can't go!" and ran up and threw her arms 
around me. The next thing I knew, I was in the middle of an immense group hug. 
What an incredible, spontaneous moment! (Amanda, the smart one, had snuck out in 
the hallway. I'm not sure she saw me disappear under the press of all 22 
students!)&nbsp; Mrs. Wells came to my rescue, and herded the students off to the 
library.</span></p><p class="MsoNormal"><br /></p><p class="MsoNormal">We had another class of 39 students today at Murdock Elementary with the same results.&nbsp; It's great to hear that our programs are spreading the joy of music to the students!</p><p class="MsoNormal"><br /></p>Melissa Boeckman<br />General Manager, LSO<br /> ]]>
        
    </content>
</entry>

<entry>
    <title>HOLIDAY MUSIC:  GOOD FOR THE HOLIDAYS?</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2008/11/holiday-music-good-for-the-holidays.html" />
    <id>tag:hosting.stormfrontproductions.net,2008:/~lafayett/nicks_notes//1.5</id>

    <published>2008-11-25T21:19:17Z</published>
    <updated>2008-11-25T21:20:52Z</updated>

    <summary><![CDATA[It has been a hot topic on the airwaves lately - at least those that serve the classical music business - whether to play popular holiday music at classical concerts during the "Holiday Season".&nbsp; Some say yes, some no.&nbsp; We...]]></summary>
    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="holidaymusic" label="holiday music" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/">
        <![CDATA[It has been a hot topic on the airwaves lately - at least those that serve the classical music business - whether to play popular holiday music at classical concerts during the "Holiday Season".&nbsp; Some say yes, some no.&nbsp; We have tried both with the LSO.&nbsp; In my experience, audiences like to have a Sing-a-Long or Messiah excerpts, Nutcracker excerpts,etc.&nbsp; What do you think?&nbsp; The other option is to have just classical orchestral music with no specific holiday focus.&nbsp; Possibly the best answer is a little of both...<br /><br />Happy Holidays to all in the meantime...<br /><br />Maestro Nick<br /> ]]>
        
    </content>
</entry>

<entry>
    <title>Is movie music &quot;serious music&quot;</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2008/10/is-movie-music-serious-music.html" />
    <id>tag:hosting.stormfrontproductions.net,2008:/~lafayett/nicks_notes//1.4</id>

    <published>2008-10-19T16:40:26Z</published>
    <updated>2008-10-21T13:30:34Z</updated>

    <summary>Welcome to Nick&apos;s Notes on the LSO website! This is my first blog...I hope you enjoy it! People often ask me: is movie music &quot;serious music&quot;? I say yes! In the early days of the movies composers like Walton, Korngold...</summary>
    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="williamsstarwars" label="williams star wars" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/">
        <![CDATA[<p>Welcome to Nick's Notes on the LSO website! This is my first blog...I hope you enjoy it! People often ask me: is movie music "serious music"? I say yes! In the early days of the movies composers like Walton, Korngold and Hermann wrote stirring orchestral scores, which were often finely crafted and and intricate. Prime examples include scores for Captain Blood by Korngold, Henry V by Walton and Hermann's Vertigo, which the LSO performed excerpts from last season. All of these scores stand up to much of the ballet music and symphonic music of the 20th Century. They deserve to be heard more often in concert halls. When the L.A. Philharmonic opened Disney Hall a few years back, Maestro Salonen chose to include music by Hermann on the opening program. He also recorded music from Psycho, Marnie, North by Northwest and Vertigo, among others, shortly thereafter. While sweeping symphonic scores were popular prior to 1960, they began to fade away in the next two decades, often replaced by pop/jazz/rock scores. John Williams changed that with the first Star Wars film in 1977. Who can forget the opening theme at the beginning of the first film? It is said that Williams used the theme of Born Free (backwards) as an inspiration...who knows. What is important is that George Lucas asked Williams to write an orchestra score based on tonal and traditional sounding orchestral music for the first three movies because he felt it would sound more "familiar" to people than more complex or contemporary music. The rest is history... We had a ball at our recent John Williams concert.&nbsp; Check out the pictures posted below!...I look forward to hearing from you! Next month our topic is: Why should we be "mad about opera"? Maestro Nick</p>
<p>&nbsp; 
<span class="mt-enclosure mt-enclosure-image" style="DISPLAY: inline"><img class="mt-image-left" style="FLOAT: left; MARGIN: 0px 20px 20px 0px; WIDTH: 544px; HEIGHT: 474px" height="2448" alt="group picture 3.JPG" src="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/group%20picture%203.JPG" width="3264" /></span>
<span class="mt-enclosure mt-enclosure-image" style="DISPLAY: inline"><img class="mt-image-left" style="FLOAT: left; MARGIN: 0px 20px 20px 0px; WIDTH: 236px; HEIGHT: 294px" height="3264" alt="stormtrooper with kid.JPG" src="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/stormtrooper%20with%20kid.JPG" width="2448" /></span>
<span class="mt-enclosure mt-enclosure-image" style="DISPLAY: inline">&nbsp;</span></p>
<span class="mt-enclosure mt-enclosure-image" style="DISPLAY: inline"><img class="mt-image-right" style="FLOAT: right; MARGIN: 0px 0px 20px 20px; WIDTH: 233px; HEIGHT: 299px" height="3264" alt="chewie with kristin 2.JPG" src="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/chewie%20with%20kristin%202.JPG" width="2448" /></span>]]>
        
    </content>
</entry>

<entry>
    <title>Welcome To Nick&apos;s Notes</title>
    <link rel="alternate" type="text/html" href="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/2008/10/test.html" />
    <id>tag:hosting.stormfrontproductions.net,2008:/~lafayett/nicks_notes//1.2</id>

    <published>2008-10-09T16:28:08Z</published>
    <updated>2008-10-09T16:33:00Z</updated>

    <summary><![CDATA[Nick's Notes&nbsp;are casual monthly installments of the LSO's activities straight from the Maestro. I will be discussing everything and anything pertaining to our orchestra. Please feel free to write in or make your own posts! Maestro Nick...]]></summary>
    <author>
        <name>Nick Palmer</name>
        
    </author>
    
    <category term="welcometonicksnotes" label="Welcome To Nick&apos;s Notes" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-US" xml:base="http://hosting.stormfrontproductions.net/~lafayett/nicks_notes/">
        <![CDATA[<p>Nick's Notes&nbsp;are casual monthly installments of the LSO's activities straight from the Maestro. I will be discussing everything and anything pertaining to our orchestra. Please feel free to write in or make your own posts!</p>
<p><em>Maestro Nick</em> </p>]]>
        
    </content>
</entry>

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