OPERA FOR SYMPHONIES?

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Recently a number of orchestras have delved into opera.  True a number of mid-size cities have orchestras that already play opera.  Take Nashville and Louisville, for example, in our region.  But these orchestras play opera as the "hired" orchestra for an established opera company.  In this case, the Nashville Opera and Kentucky Opera, respectively.  But what about orchestras that perform opera on their own...

 

Some examples include the recent Opening Night performance of La Boheme in a semi-staged version with the Atlanta Symphony.  The idea of a semi-staged version of opera is quite intriguing.  Many orchestras have taken this route.  In Lafayette last season we performed the opera Cavalleria Rusticana with the excellent Bach Chorale Singers and soloists from Indiana University.  We performed with minimal staging and no props. 

 

In November, I performed the opera Madame Butterfly with the Owensboro Symphony and Kentucky Opera to great effect.  Like the performance in Lafayette, the orchestra was onstage, but we also had props, makeup and costumes:  pretty much everything except the actual sets.  People in the audience liked the set up very much.  They felt that the orchestra was an equal partner in the production, rather than being relegated to the "pit" as they normally are in opera.  This is something I'd like to try in Lafayette, as we have a sophisticated and educated audience as well as Metropolitan Opera simulcasts...

 

My opinion is that this type of production/collaboration is the wave of the future for orchestras and choruses eager to do opera.  Without the sets opera in much more affordable, plus, as I witnessed in Owensboro- people like to see their hometown orchestra, too!

 

NICK

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From the operatic stand point, we also felt the Owensboro collaboration was a great success. It offers additional performance opportunities for our very talented Studio Artists, and much of the administrative elements were dealt with by the Orchestra.
Kentucky Opera was also extremely impressed with the audience reaction and hopes we have found new friends in Owensboro. We are looking forward to similar collaborations in the coming seasons.

As mentioned in the blog, this type of collaboration would also work well in Lafayette, and with many other orchestras in similar size communities. The director for the recent collaboration, Thomson Smillie, also performed Madame Butterfly in a similar fashion with the Canton Symphony in Ohio.

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Glad that you enjoy it! It is a great topic, I think and many orchestras are beginning to do just this. I hope that it is a trend that will continue...

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This page contains a single entry by Nick Palmer published on December 9, 2009 9:52 AM.

Community Collaborations was the previous entry in this blog.

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